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Contrast the Characters of Agamemnon and Jason Essay

Both Agamemnon and Jason share inborn similitudes in that they are both the appalling saints of their plays: Aeschylus’ ‘Agamemnon’ and Euripides’ ‘Medea’ individually. Be that as it may, they don't have a similar destiny. Agamemnon is murdered for what he has done, though those near Jason sincerely and politically are slaughtered to show disdain toward Jason. The two characters are despised by their spouses, yet for various reasons. Agamemnon has relinquished his girl and Jason has left his significant other to wed altogether for individual addition. Agamemnon’s thought processes were that he needed to satisfy his promise to help the spouse of Helen should she ever leave/be taken. His thought processes were better than Jason’s, who left his significant other for his own benefit. Medea had two children so he was unable to legitimize leaving her as a result of childlessness. Be that as it may, Jason has not slaughtered anybody, which Agamemnon has. Additionally, leaving a spouse would not have been unprecedented, thus it isn't as noteworthy as it would be had the occasions occurred today. The two characters thank the divine beings for their victories. At the point when Agamemnon initially shows up in front of an audience he thanks the divine beings for his triumph and safe get back. At the point when Medea challenges Jason and assaults him for what he has done to her, notwithstanding all she has done to support him, he guarantees that in spite of the fact that she did a few things, the person who helped him the most was Aphrodite. Both Jason and Agamemnon are either not haughty or inept enough not to thank the divine beings for their accomplishments. Every one of the four gatherings, Jason, Agamemnon, Medea and Clytemnestra have tricked their partner sooner or later. Agamemnon sends for Iphigenia without mentioning to her or Clytemnestra what he intends to do. Jason doesn't inform Medea concerning his union with Glauce until after it has occurred. Medea needs to bait Jason into an incorrect conviction that all is well with the world thus apologizes to him, disclosing to him he is correct and she wrong and that she was irate. This keeps him from suspecting her. Clytemnestra misleads Agamemnon by inviting him home. Indeed, even Agamemnon thinks she is overstating, saying that she is â€Å"grovelling† and that the â€Å"speech to suit (his) nonappearance, (was) far and away too long†. Both Agamemnon and Jason are inhumane. Neither alludes to his significant other by name. Agamemnon just alludes to Clytemnestra as â€Å"Leda’s daughter†. They expect all that they have done to their spouses to be disregarded and everything to be left with no notice of what they have done. Jason goes the extent that colloquialism that Medea ought to express gratitude toward him when she defies him. He says that she lives in Greece, as opposed to â€Å"an ignoble country†, and had additionally â€Å"won renown.† In saying that he would prefer not have â€Å"gold in (his) home) or the expertise to sing a tune lovelier than Orpheus sang† except if a celebrated name accompanied it, he uncovers a piece of his character. He needs to be renowned; he needs his name to be known, to the detriment of different things. Medea has seen this. During her contention with Jason she says that â€Å"it was union with an outsider that you would bring down that incredible name of yours†. Jason additionally shows his lack of care by guaranteeing that he wedded Glauce altogether out of his needing to care for Medea and their children. He asserts that he did this so they could â€Å"live serenely and not abandon anything.† If there were any well meaning goals of Jason, he at that point loses any opportunity of Medea really concurring and quieting down when he says that he can â€Å"ensure (his) thriving by â€Å"joining (their) two families†. This shows he is set up to utilize his family so as to safeguard his solace and riches, and demonstrates that Jason can be childish. The welcome of Agamemnon by Clytemnestra is unexpected. Among the main things she says to him is that â€Å"(their) youngster is gone† and that â€Å"by all rights (their) kid ought to be (there)†. She implies Iphigenia obviously, yet conceals this by rapidly including after stopping for a moment, â€Å"†¦Orestes†. Later on in a similar discourse she basically says the sentence â€Å"Our youngster is gone.† She implies about her indignation yet conceals them, Agamemnon not explicitly alluding to them. The feelings of the theme change in the two plays. In Medea, the melody of Corinthian ladies emphatically underpins Medea toward the start of the play, identifying with her. In any case, they start to feel sorry for Jason and no longer help Medea when Medea says she is going to execute her own youngsters to demonstrate hatred for Jason. In Agamemnon, the theme is comprised of elderly people men who are too old to even think about fighting in Troy. They, assuming hesitantly, respect Clytemnestra. They regard her arrangement with the reference points so she would know when Troy had fallen, saying after she disclosed to them it was her that it was â€Å"spoken like a man†. Notwithstanding, they lose this regard when they discover that Clytemnestra has slaughtered Agamemnon, their lord who they respect for devastating Troy. In light of the activity of Jason and Agamemnon, numerous honest individuals are executed. In ‘Agamemnon’, Cassandra is slaughtered by Clytemnestra, regardless of the way that Cassandra is a hostage and had nothing to do with the demise of Iphigenia. In ‘Medea’, Glauce, Creon and Jason and Medea’s children are murdered by Medea. These honest casualties in the two plays are positively not meriting what befalls them. Due to what Jason and Agamemnon have done to hurt their spouses, five individuals have been unnecessarily executed. Both Agamemnon and Jason care about their kids. In ‘Agamemnon’, Clytemnestra says to Agamemnon, â€Å"you appear startled†, after hearing the news that Orestes is no more. Also, in Euripides ‘Iphigenia in Aulis’, Agamemnon attempts to make an impression on Iphigenia to advise her to get back. At the point when the message neglects to get past, he discloses to Menelaus that he â€Å"will not murder (his) daughter.† After being convinced to alter his perspective, acknowledging he must choose between limited options, he is as yet tormented to do it, saying that her â€Å"hand’s contact brings quick tears flooding from (his) eyes.† Jason, subsequent to hearing the news that his children are dead and during his showdown with Medea he uncovers how he yearns â€Å"to catch them, to kiss (their) dear lips†. What have Medea and Clytemnestra yielded? Clytemnestra has lost a little girl, and this is her sole inspiration for slaughtering Agamemnon. Medea, be that as it may, has deceived her family, left her home and murdered her own sibling to help Jason inside and out she can. Jason has surrendered her after she has had two children when she is in an outside land without any companions or family to count on completely for his very own benefit. She has then been advised she needs to leave the nation, and she has been compelled to escape to another outside nation sooner or later. Medea is increasingly advocated in needing vengeance. She is a far more regrettable situation than Clytemnestra, who despite everything lives in her home with loved ones close by in the castle at Mycenae and has another spouse. Medea has additionally been ineffectively said thanks to for her job in ensuring Jason gets away from Colchis with the Golden Fleece.